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Чикагски?институт искусств (англ. Art Institute of Chicago, сокр. AIC) — художественный музе??высшее учебно?заведени??Чикаго, штат Иллинойс ?СШ?  Пост?нн? коллекция Чикагского Институт?Искусств насчитывае?боле?300 000 произведений искусств? Ежегодно здес?проводятся боле?че?30 тематических выставок, которы?освещают различны?аспект?богато?коллекци?музея ?современного искусств?

Caesar and Cleopatra (Baroque Tapestry Cycle)

Justus van Egmont (designer)

Caesar in the Gallic Wars

(The Story of Caesar and Cleopatra)

ca. 1680

wool and silk tapestry, woven in Brussels

Art Institute of Chicago

Justus van Egmont (designer)

Caesar defeats the Troops of Pompey

(The Story of Caesar and Cleopatra)

ca. 1680

wool and silk tapestry, woven in Brussels

Art Institute of Chicago

Justus van Egmont (designer)

Triumph of Caesar

(The Story of Caesar and Cleopatra)

ca. 1680

wool and silk tapestry, woven in Brussels

Art Institute of Chicago

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South Netherlandish

Old Age Drives the Stag out of a Lake and the Hounds Heat, Grief, Cold, Anxiety, Age, and Heaviness Pursue Him: (from The Hunt of the Frail Stag)

ca. 1500–1525

Design attributed to Bernard van Orley Netherlandish

Adoration of the Kings

1525–1535

South Netherlandish

Vanity Sounds the Horn and Ignorance Unleashes the Hounds Overconfidence, Rashness, and Desire (from The Hunt of the Frail Stag)

ca. 1500–1525

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South Netherlandish

The Christ Child Pressing the Wine of the Eucharist

ca. 1500

Probably produced through Jean or Pasquier Grenier

The Battle with the Sagittary and the Conference at Achilles' Tent (from Scenes from the Story of the Trojan War)

ca. 1470–90

MET

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Metz (Mechthild) Unmuße,

Bildteppich um 1470/80

Grand Design’ Showcases Pieter Coecke

Tapestries at the Met - NYT

A Brussels allegorical tapestry of Abundantia, from the Series of the Four Continents and Related Allegories late 17th century after a design by Lodewijk Van Schoor and Pieter Spierinckx

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Woodcutters with Arms of Nicolas Rolin“,

Tapestry (Fragment), Tournai (?),

before 1462,

Wool and Silk, 315×495 cm, Paris,

Musée des Arts Décoratifs, 

Урожай виноград?/p>

This magnificent tapestry is 'Hercules Founding the Olympic Games'

made in Southern Netherlands

c1450,

during long reign of Philip the Good, Duke of Burgundy.

The mounted figure of Hercules bears a strong resemblance to portraits of Philip

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A composite Flemish Mythological Tapestry Fragment, possibly from the Story of Mercury

16th century

A Brussels Armorial Tapestry Portiere, probably woven by Albert Auwercx (active 1657-1717)

circa 1680-1700

Netherlands, early 16th century

Shepherds in_a Round Dance_1939.158

Cleveland Museum ofArt

Шпалер?'Всадни?на бело?коне'

Фландр?. Брюссель, Коне?XVI - начало XVII

шерсть, шелк

Государственны?Эрмита?/p>

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A Flemish Classical Battle Tapestry Fragment, Brussels

second half 16th century

A Brussels historical tapestry from a series of the Trojan War, attributed to the workshop of Jacob Geubels

late 16th century

Carton de tapisserie d'Aubusson. Epoque XIXe siècle.

Tapisserie Aubusson

Шпалер??изображением двух соба??венк?из цветов

Франция, Бове, XVIII ?

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A BRUSSELS BIBLICAL TAPESTRY OF THE SACRIFICE OF ISAAC, FROM THE WORKSHOP OF VAN DEN HECKE

Second half 16th century 

A Flemish late Gothic tapestry of Saint Catherine of Alexandria,

early 16th century

French (cartoon)/South Netherlandish (woven)

The Unicorn Rests in a Garden (from the Unicorn Tapestries)

1495–1505

South Netherlandish

The Mystic Capture of the Unicorn (from the Unicorn Tapestries)

1495–1505

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Парижская королевская мануфактур?Гобелено?была очен?попу?рн??XVII веке, та?чт?тканны?ручные ковр?стал?част?называть гобеленами. Эт?название видимо ?заве?Петр вместе ?нескольким?гобеленами от Гобелено? Вс?остальны?гобелены, сделанны?другим?мастерам? начиная ?древни?егип?? правильн?называть шпалерам? Использовалось такж?название «мильфлер». Та?называли средневековы?шпалер?французского производства, на которы?фо?бы?заполнен цветам??букетиками.

A Flemish Renaissance Tapestry, `David Receives Bathsheba and the Departure of Uriah', from The Story of David, Brussels workshop, possibly after Jan van Roome (fl. 1498-1521)

first quarter 16th century, circa 1515-1525

LOT SOLD. 325,250 GBP 

A Flemish Renaissance Old Testament Biblical Tapestry, probably `David and Bathsheba', from the series The Story of David, Brussels workshop

second quarter 16th century, circa 1530-1535;

unidentified designer and weaver

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Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)

designed ca. 1689–93, woven 1732–39

Designed by Domenico Paradisi Italian

Southern Netherlands

The Falcon Hunt

ca. 1500–1530

A FLEMISH TAPESTRY, BRUXELLES, EARLY 16TH CENTURY | TAPISSERIE DES FLANDRES, BRUXELLES, DÉBUT DU XVIÈME SIÈCLE ET POSTÉRIEUR

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Valois Tapestries Series

Одна из самы?ценных ?знаменитых сери?гобелено?коллекци?галере?Уффици, на не?изображены член?королевско?семь?Валу?на великолепных празднествах, проводимых французски?двором ?1564 по 1573 го? ?бордюрам? богато украшенным?цветочными мотивами, гротесками, фруктами ?путт?

Valois Tapestries, designed by Antoine Caron,

Tournament from the Valois Tapestries. 1575-89,

Uffizi Galleries, Florence

Серия состои?из восьми гобелено? сотканны?из шерсти, шелк? серебр??позолоченных металлически?ните? заказанных окол?1575 года Екатериной Медичи неизвестному брюссельском?ателье по мотива?карикату?Лукаса де Хира по рисункам придворног?художник?Антуан?Карона.

Départ de la Cour du château d’Anet, Valois Tapestries, designed by Antoine Caron,

Journey, from the Valois Tapestries. 1575-89,

Uffizi Galleries, Florence

Valois Tapestries. 1575-89, DETAIL